Thornhill, Sabotage (1936), Secret Agent (1936), The 39 Steps (1935), The Birds (1963), The Man Who Knew Too Much (1934)Ĭtx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info:sid/&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=John+Buchan+and+Alfred+Hitchcock&rft.jtitle=Literature%2FFilm+Quarterly&rft.au=Jocelyn+Camp&rft.date=&rft.pub=Salisbury+University&rft.issn=0090-4260&rft.volume=6&rft.issue=3&rft.spage=230&rft.externalDocID=1595725611 LinksĪ consideration of the novel and of the use made of it by Hitchcock in both films (a consideration which will be literary rather than cinematic in that it will deal primarily with plot, structure and theme) casts a great deal of light on Hitchcock's method of dealing with literary source material. Carroll, Madeleine Carroll, Madison Avenue, New York City, New York, North by Northwest (1959), Plaza Hotel, New York City, New York, Robert Donat, Roger O. keywords: Alfred Hitchcock, Alma Reville, Cary Grant, Charles Bennett, Daphne du Maurier, Ernest Lehman, Eva Marie Saint, Eve Kendall, François Truffaut, Frenzy (1972), Greenmantle, James Mason, Jocelyn Camp, John Buchan, Joseph Conrad, Leo G.Sloan's Alfred Hitchcock: A Filmography and Bibliography (1995) - page 429, #503.issue: volume 6, number 3, pages 230-240.journal: Literature Film Quarterly (Summer 1978).article: John Buchan and Alfred Hitchcock.
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